The classic score sounds seamlessly steered around your array, while dialogue and spot effects are precise and clean. As with the upgraded picture, this is more about subtle refinement than dynamics and drama. has always looked, only better.Īudio: This 4K debut is graced with a new DTS:X mix. Basically the 4K transfer still looks like E.T. For while the image looks more dense and filmic, with clear extra textures and detailing, sharpness never seems overcooked. Similar respect for the source can be seen in the 4K disc's approach to sharpness and detail. Mostly, though, the HDR just subtly makes you more aware of the overwhelming beigeness of everything. Interiors in Elliott's home feature more luminous artificial light sources than you get on the HD Blu-ray, as well as palpably richer colours in things like the Art Deco lamp above the dining table, and his closet's stained glass window. Rather than pushing the film's naturalistic photography and settings into extreme realms, HDR and wide colour enhancements are used gently and respectfully. The word to have in mind when approaching E.T.'s new 4K HDR clothes is ‘sensitive'. isn't a jaw-dropping blaze of 4K, high dynamic range glory. Picture: Universal's UHD Blu-ray remaster of E.T. It treads a fine line between involving drama and syrupy sentimentality, though. On the surface, it's a simple tale of boy meets alien, boy and alien become friends, boy loses alien, but like all good flicks there's more here than mere story, from the wonderful puppet design and John Williams's spine-tingling score to the script's understanding of its childhood characters and Spielberg's deft direction. the Extra-Terrestrial is the film that probably pops into most people's heads.
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